电影四重奏

四重奏

影片信息

  • 片名:四重奏
  • 状态:DVD
  • 主演:阿兰·贝茨/玛吉·史密斯/伊莎贝尔·阿佳妮/安东尼·希金斯/
  • 导演:詹姆斯·伊沃里/
  • 年份:1981
  • 地区:法国
  • 类型:爱情/
  • 时长:内详
  • 上映:未知
  • 语言:英语
  • 更新:2025-01-05 16:06
  • 简介:  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
  • 扫一扫用手机访问

 立即播放 LZ(高清)

选择来源

  • LZ(高清)
6.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
472次评分
6.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
472次评分
给影片打分《四重奏》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

扫一扫用手机访问

播放列表

 当前线路:LZ(高清) - 无法播放请滑动更换线路
 倒序

剧情简介

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

为你推荐

 换一换
  • HD
    10.0陈楚洹/张冰倩/杨依寒/张幂涵/
  • HD
    10.0吴莉/陈逸啸/米夏若/
  • HD
    6.0刘一江/冯玉玺/陈卓/吴连生/梁丽/
  • HD
    5.0王丽娜/洋懿/王寒阳/柴园乐/
  • HD
    7.0陈奕/张雅卓/许政国/张竣杰/
  • HD
    6.0 安东尼·拉莫斯/梅丽莎·巴雷拉/莱斯利·格雷丝/科里·霍金斯/欧嘉·梅雷迪斯/吉米·斯密茨/格里高利·迪亚兹四世/达芬妮·鲁宾-维佳/斯蒂芬妮·比翠丝/达丝莎·坡兰科/Noah Catala/林-曼努尔·米兰达/Mateo Gómez/马克·安东尼/帕特里克·佩奇/詹姆斯·雷娃/克里斯·杰克逊/苏珊·波尔法/阿丽亚娜·格林布拉特/Valéry Lessard/亚历克斯·佩雷斯/安妮·比萨比亚/
  • HD
    7.0李嘉明/安奕安/吕一丁/亮月儿/田占林/范小柯/王洁实/姚宁宁/杨声远/白明理/高峰/靳川/
  • HD
    6.0⽯靖怡/喻⼤维/
  • HD
    5.0余乐欣/周翊涛/
  • HD
    3.0种丹妮/柴格/王玉雯/卢力峰/
  • HD
    7.0柯家豪/朱娅/李国麟/韩聪聪/张振福/
  • HD
    7.0姚成金/陈雪铫/李建忠/纪振斌/刘红亮/刘智远/
  • 正片
    9.0 克拉拉·卢嘉/詹森·艾萨克/蕾蓓尔·威尔森/鲁伯特·艾弗雷特/德里克·雅各比/丹·福勒/鲁珀特·格雷夫斯/福迪亚·瓦尔什-匹罗/丹尼斯·安德瑞斯/吉姆·谢里丹/乔丹·克拉克/尼古拉斯·波达尼/Tayla Parx/莎拉·拉扎罗/杰米·沃德/莉迪亚·维塔莱/玛蒂娜·奥尔蒂斯·路易斯/Ledisi/Clodagh Amira Sheridan/Zac Bellward/Lexie Coons/Quinn Scott Bogart/Max C. Parker/Alex Lorenzin/
  • HD
    8.0朱圣祎/黄艺馨/王关彭/彭波/徐永革/
  • HD
    9.0韩栋/张予曦/王艺曈/李若天/
  • HD
    3.0黄鸿升/李妍心/纪源/郑如晶/徐俊/
  • HD
    6.0吴旭东/徐冬冬/梁家仁/
  • HD
    5.0何花/阎行一/李俊浩/
  • HD
    4.0朱珠/更登彭措/多布杰/洛桑群培/
  • 国粤双语
    9.0何杜娟/刘岳/张颂文/

最新资讯

更多

评论

共 0 条评论